I have stumbled across a couple of articles that I’d like to reblog here, as I feel they pertain to an important trend in mainstream cinema right now and that trend has made its way into the indie film sector. As a program adviser for several film festivals and because I write about the current and future state of film for several publications, I end up receiving a lot of films, often sent to my by filmmakers or press agents. More than sixty percent of the indie films I’ve seen since January are “guilty” of the color grade practice discussed in these articles. Please give them a gander and then let me know your thoughts.
Those of you who watch a lot of Hollywood movies may have noticed a certain trend that has consumed the industry in the last few years. It is one of the most insidious and heinous practices that has ever overwhelmed the industry. Am I talking about the lack of good scripts? Do I speak of the dependency of a few mega-blockbuster hits to save the studios each year, or of the endless sequels and television retreads? No, I am talking about something much more dangerous, much deadlier to the health of cinema. [read more at Blogspot]
Note: This article provides a tutorial on how to achieve the “Teal & Orange” look.
It seems that artists are beginning to notice the trend of the so called “Blockbuster” look that’s becoming more and more popular in feature films and in personal projects with the advent of plugins like Red Giants Magic Bullet Looks & Mojo. For those who are just discovering the look, are plastering it all over their creative projects and those discovering the trend in feature films are beginning to bemoan its overuse. But nobody (to my knowledge) has explained yet why the look is popular. [read more at Digital Cinema Foundry]