Upcoming Anthology Screenings


Hello everybody, there are quite a few “screenings of note” coming up at the Anthology Film Archives in the next few weeks so I thought I’d post some of their screening calendar.

Saturday May 10



In 2011, Independent Curators International (ICI) organized the sound exhibition WITH HIDDEN NOISE featuring artists Andrea Parkins, Jennie C. Jones, Pauline Oliveros, Steve Peters, Steve Roden, Taylor Deupree, Michael J. Schumacher, and the show’s guest curator, multi-media artist Stephen Vitiello. Having debuted at the Aspen Art Museum and subsequently traveled to Monash University in Victoria, Australia, the exhibition will be on view this spring and summer at New York’s Wave Hill, The University of Minnesota in Minneapolis, and The Henry Art Gallery in Seattle. On this occasion, a crucial moment for sound in art finally entering art institutions, ICI joins Anthology to present a one night event that explores the origins of experimental sound and the radical ways artists have worked outside the mainstream.

Curated by Stephen Vitiello and Alaina Claire Feldman, Exhibitions Manager at ICI, this program features Michael Blackwood’s ultra-rare documentary NEW MUSIC: SOUNDS AND VOICES FROM THE AVANT-GARDE, back-to-back with John Sanborn and Kit Fitzgerald’s re: SOUNDINGS. The evening concludes with a live conversation between Vitiello and special guest Alvin Lucier!

Michael Blackwood
1971, 51 min, 16mm-to-digital
Arts documentarian Michael Blackwood has made dozens of insightful portraits of artists since the mid-1960s, and this particular film was made for and only broadcast on West German television. Featuring a jaw-dropping array of notables (including John Cage, David Tudor, Gordon Mumma, David Behrman, Max Neuhaus, Alvin Lucier, Steve Reich, and Philip Glass, among many others) this piece is, in retrospect, an incredible time capsule from a seminal moment in the development of sound art and truly new music.

John Sanborn & Kit Fitzgerald
1983, 65 min, video
Sanborn and Fitzgerald were proto-MTV video artists who brought a visual new-wave energy to the frontiers of experimental music. Inspired by the exhibition SOUNDINGS at the Neuberger Museum located at Purchase College, re: SOUNDINGS is a highly energetic piece featuring appearances and sounds by John Cage, Alvin Lucier, David Tudor, Liz Phillips, John Driscoll, Max Neuhaus, Doug Hollis, Meredith Monk, Vito Acconci, and Laurie Anderson.

Sunday May 18th


by Jen Senko & Fiore DeRosa
2009, 55 min, digital video 

This screening is part of: FROM MAE WEST TO PUNK: THE BOWERY ON FILM

Film Notes


Told through the eyes of city planners, developers, politicians, small business owners, landlords, and tenants, this documentary exposes and explains the policies and economic philosophy behind New York’s finance-dominated economy, the concentration of wealth, and the process that has jeopardized the social fabric and neighborhoods that have always made New York unique.

Saturday June 14: Charlie Chaplin Program



A WOMAN (1915, 20 min, 16mm, b&w)
EASY STREET (1917, 19 min, 16mm, b&w)
A DOG’S LIFE (1918, 33 min, 35mm, b&w)
Total running time: ca. 75 min.



SHOULDER ARMS (1918, 37 min, 35mm, b&w)
SUNNYSIDE (1919, 30 min, 35mm, b&w)
A DAY’S PLEASURE (1919, 19 min, 35mm, b&w)
Total running time: ca. 90 min.



THE IDLE CLASS (1921, 32 min, 35mm, b&w)
THE PILGRIM (1923, 41 min, 35mm, b&w)
Total running time: ca. 80 min.

Sunday, June 15

4:30 PM

by Charles Chaplin
1925/1942, 72 min, 35mm, b&w

One of the most celebrated and beloved of all silent films, THE GOLD RUSH features Chaplin’s most distinctive alter-ego, the little tramp, as he wins fortune and love in the Yukon. Filled with impressive sight gags and heartrending pathos, the film deserves its reputation as one of the touchstones of modern comedy. This version features Chaplin’s own music and poetic narration, added for his 1942 reissue.

6:15 PM
by Charles Chaplin
1928, 72 min, 35mm, b&w, silent

“One of the loveliest screen experiences! Perhaps the quintessential Chaplin film!” –Vincent Canby, NEW YORK TIMES

When we first meet Chaplin’s Tramp in this comic gem, he’s in typical straits: broke, hungry, destined to fall in love and just as sure to lose the girl. Mistaken for a pickpocket and pursued by a peace officer into a circus tent, the Tramp becomes a star when delighted patrons think his escape from John Law is an act.

Sunday, June 22:

by Massimo Dallamano
1974, 96 min, 35mm

What-Have-They-Done-to-Your-Daughters-1This screening is part of: THE ITALIAN CONNECTION: POLIZIOTTESCHI AND OTHER ITALO-CRIME FILMS OF THE 1960s AND 70s

Film Notes

With Giovanna Ralli and Mario Adorf.

When a young girl is found dead by hanging, the police find themselves on the trail of a motorcycle killer. What they uncover is a truth far more sinister and inconvenient. A perfect blend of police procedural and suspenseful giallo, this is the second installment in the ‘school girls in peril’ trilogy by Dallamano (who was formerly Sergio Leone’s cinematographer). Released in the U.S. as COED MURDERS, this socially relevant thriller is graced by a terrifically catchy score by Stelvio Cipriani.

Visit the official Anthology Film Archives website for pertinent information.


Chinatown On Screen at Anthology Film Archives

Anthology Film Archives in New York City

The Anthology Film Archives in New York will be screening a Chinatown On Screen series, later this month (Jan 24-26). Information from Anthology’s website is copied below for anyone interested in this series.

From Anthology Film Archives:

Whether you see Chinatown as a place or a state of mind, a purgatory or an oasis, a shrinking immigrant community or an expanding business district, its presence in our cinematic imagination is enormous. Situated north of NYC’s Wall Street, east of the Tombs, west of the old Jewish Ghetto, and mostly south of Canal, the neighborhood that began in the mid-19th century has maintained its distinct character – savory, hardscrabble, succulent, and cacophonous.

WE LANDED/I WAS BORN/PASSING BY explores a provocative array of images of the community from the 1940s to the present day. By embracing the perspectives of grassroots activists, performance artists, conceptual visionaries, home-movie makers, punk horror devotees, and journalists, the series raises questions about how we look at the neighborhood and how its representations have reciprocally shaped our imagination. Who lived in Chinatown at the beginning? Who lives there now? How and why has it changed? What language best describes Chinatown? Whose voices do we hear?

Inspired by the fabulously observant 1960s poetry of Chinatown’s very own Frances Chung, this 5-part film series looks at the streets, desires, shops, and struggles of an iconic community that only begins to reveal its stories when the most obvious outer layers are pulled back. Comprised of documentaries, archival footage, home videos, literary readings, photography, and performance, the series rings in Chinese New Year by opening a window to both early and contemporary conditions. Through it all, geography, memory, and observation compress and expand the imaginary and the real of this beloved section of the Big Apple.

Curated by Lesley Yiping Qin, Lynne Sachs, Bo Wang, and Xin Zhou.

We are grateful to the New York Public Library for allowing us to screen 16mm film prints of THE TROUBLE WITH CHINATOWN and THE YEAR OF THE RAT, to Electronic Arts Intermix for VOYEUR CHINATOWN, and to the Museum of Chinese in America for various home movies. Special thanks to David Callahan and Elena Rossi-Snook (Reserve Film and Video Collection at the New York Public Library), Antony Wong (Asian American/Asian Research Institute-CUNY), and Amanda Katz.

Jan 24



Jem Cohen’s NIGHT SCENE IN NEW YORK is a close nocturnal observation of the people and lights of this urban milieu. In contrast to Cohen’s beautifully shot yet vernacular street scenes, conceptual artist Gordon Matta-Clark’s black-and-white video work expresses a more distant gaze on the Chinatown community, offering an ambivalent and imaginary take on the same cityscape. Shot in the early 70s, Matta-Clark’s constantly panning shots move in-between buildings in the area, with the Empire State Building always hovering in the background thirty blocks away. This was a time when restaurants were still open at midnight for gamblers seeking food in the early morning hours.

Gordon Matta-Clark
1971, 60 min, video
Jem Cohen NIGHT SCENE NEW YORK (2009, 10 min, digital)
Plus: A reading from Crazy Melon and Chinese Apple: The Poems of Frances Chung

Jan 25



The view from above – the bird’s eye view – can be omniscient and detached, playful and wicked. Shelly Silver’s TOUCH, a restrained yet endlessly sensual ciné-essay on loss and presence, takes us on a journey that begins with the psyche of an enigmatic son who returns as both insider and outsider to a Chinatown from which he escaped, as a teenager, as fast as he could. Celebrated 1960s community activist Tom Tam left an indelible mark on Chinatown. To our great surprise, he also shot irrepressibly inventive experimental films of the world he fought so hard to defend. Tam’s pixilated glimpse of a boy on a roof gives voice to a child’s sense of flight and the realization that he will never have wings.

Tom Tam BOY ON CHINATOWN ROOF (1970s, 3 min, 16mm-to-digital)
Shelly Silver
2013, 68 min, digital



How can realities be engaged if the idea of a place has already been mediated by a sense of otherness and displacement? It all began with the name “Chinatown”, a specific place that can be found in many cities of the world. THE TROUBLE WITH CHINATOWN was originally aired on WNBC in the early 1970s as a survey of social and educational problems. A 2013 CNN “exposé” on the “dirty, dangerous firetrap” at 81 Bowery Street sparked a report to the NYFD which led to the eviction of tenants who couldn’t afford another place to live. We can link the tenants’ reactions today to those in Tom Tam’s silent film TOURIST BUSES, GO HOME!, a 1969 document of Chinatown protests against tourism. Shelly Silver’s 5 LESSONS AND 9 QUESTIONS ABOUT CHINATOWN interweaves fragments of neighborhood lives with questions of history, change, a sense of belonging, and home. The program will be followed by an informal talk by photographer Corky Lee, an activist in the Asian and Pacific American community for the past forty years.

Bill Turque/WNBC-TV THE TROUBLE WITH CHINATOWN (1970, 26 min, 16mm. Print courtesy of the Reserve Film and Video Collection of The New York Public Library for the Performing Arts.)
Tom Tam TOURIST BUSES, GO HOME! (1969, 12 min, 16mm-to-digital)
Shelly Silver 5 LESSONS & 9 QUESTIONS ABOUT CHINATOWN (2011, 10 min, digital)
CNN report on 81 Bowery St: “Eviction & Protest” (2013, 4 min, digital)
Photos and artist talk by Corky Lee ca. 15 min.

Total running time: ca. 75 min.

Jan 26



Quotidian life is provoked and embodied in this eclectic playbill of Chinatown. We begin with Eric Lin’s quietly rueful look at the closing of the Music Palace, the last Chinatown movie theater on the Bowery. This poignant vanishing of the communal film experience contrasts with Ming Wong’s reenactment parodies of Roman Polanski’s CHINATOWN and its persistent obsession with profiling LA’s Chinatown as a lawless enclave. From the upfront self-mocking of PAPER SON, to two lesbians munching fortune cookie messages in I AM STARVING, to following grocery shoppers home for dinner in THE TRAINED CHINESE TONGUE, everyday experiences constantly negotiate the personal. Interspersed are two observational films of Chinese New Years, one a 1940s home movie and the other a cinematic gem from 1960. Chinatown-born photojournalist Alan Chin will provide an artist’s vision of the neighborhood through his candid, sharply rendered insider’s eye.

Eric Lin MUSIC PALACE (2005, 9 min, 16mm)
‘Home Movie of Chinese New Year Parade at time of WWII’ (1940s, 4 min, 16mm-to-digital. Courtesy of the Museum of Chinese in America.)
Bryon Yee PAPER SON (1997, 10 min, digital)
Ching Yau I AM STARVING (1998, 12 min, 16mm)
Laurie Wen THE TRAINED CHINESE TONGUE (1994, 20 min, 16mm)
Jon Wing Lum YEAR OF THE RAT (1963, 14 min, 16mm. Print courtesy of the Reserve Film and Video Collection of The New York Public Library for the Performing Arts.)
Slideshow of photos by Alan Chin (1970-2010, 10 min)
Total running time: ca. 85 min.



Mixing live readings and videos, this program investigates domestic and public spaces in Chinatown. With the active presence of the camera, immigration experiences are translated into local visual terms without losing immediacy or historicity. Shanghai-born performance artist Jiaxin Miao carries his suitcase between two strange locations – a restaurant in Chinatown and Zuccotti Park – and then boldly hangs and sprays colors onto roast ducks. Galvanized by flickering and fast forward motions, Tom Tam’s intimate camera work captures the communal life of a health fair in Columbus Park. Lynne Sachs’s hybrid documentary is set in shift-bed rooms in Chinatown where performers tell their own stories while transforming their everyday movements into dance. At some point, the performers are challenged to leave their shared, self-supporting world. After traveling ten thousand miles to get here, what is it like to go five miles further? Followed by readings of work by novelist Ha Jin and poet Frances Chung, who belong to two different generations of Chinese-American writers.

A reading of an excerpt by novelist Ha Jin (ca. 10 min)
Tom Tam CHINATOWN STREET FESTIVAL (1970s, 5 min, 16mm-to-digital)
Jiaxin Miao CHINAMAN’S SUITCASE (2011, 6 min, digital)
Lynne Sachs YOUR DAY IS MY NIGHT (2013, 65 min, digital)
A reading of poetry by Frances Chung (ca. 10 min)
Total running time: ca. 105 min.

Charlie Chaplin Program at Anthology


Chaplin The Gold RushA selection of Charlie Chaplin’s films will be playing at the Anthology Film Archives on August 4th. The program will feature several films, split up into different program over the course of two days.



Sunday, August 4

4:15 PM Program 1

A WOMAN (1915, 20 min, 16mm, b&w)
EASY STREET (1917, 19 min, 16mm, b&w)
A DOG’S LIFE (1918, 33 min, 35mm, b&w)
Total running time: ca. 75 min.
6:00 PM Program 2

SHOULDER ARMS (1918, 37 min, 35mm, b&w)
SUNNYSIDE (1919, 30 min, 35mm, b&w)
A DAY’S PLEASURE (1919, 19 min, 35mm, b&w)
Total running time: ca. 90 min.
8:00 PM Program 3

THE IDLE CLASS (1921, 32 min, 35mm, b&w)
PAY DAY (1922, 22 min, 35mm, b&w)
THE PILGRIM (1923, 41 min, 35mm, b&w)
Total running time: ca. 100 min.
Monday, August 5
7:00 PM 
by Charles Chaplin
1925/1942, 72 min, 35mm, b&w

One of the most celebrated and beloved of all silent films, THE GOLD RUSH features Chaplin’s most distinctive alter-ego, the little tramp, as he wins fortune and love in the Yukon. Filled with impressive sight gags and heartrending pathos, the film deserves its reputation as one of the touchstones of modern comedy. This version features Chaplin’s own music and poetic narration, added for his 1942 reissue.
8:45 PM 
charlie chaplinLIMELIGHT
by Charles Chaplin
1952, 137 min, 35mm, b&w 

With Charles Chaplin, Claire Bloom, Nigel Bruce, and Buster Keaton.
A glimmering homage to a bygone entertainment era and a bittersweet tale of an artist passing the torch to a new generation. Chaplin portrays Calvero, who rescues a distraught ballerina (Bloom) from suicide and mentors her to success. Among the film’s comedy highlights is a musical routine that’s anything but routine in the hands of legends Chaplin and stone-faced Buster Keaton.
“Chaplin’s 1952 film is overlong, visually flat, episodically constructed, and a masterpiece – it isn’t ‘cinema’ on any terms but Chaplin’s own, but those are high terms indeed. […] The final shot is among the most eloquent and moving images I know, a picture of the soul in flight.” –Dave Kehr, CHICAGO READER
For more information visit the Anthology Film Archives online.

Radioman at Anthology Film Archives


Radioman with Filmmaker Eric NorcrossThe world famous Radioman made an appearance at the Anthology Film Archives this week to support a documentary film focusing on his life and career, aptly titled: RADIOMAN. The movie was followed by a Q&A with the famous NYC extra and day player, supported by a few of his friends who he has worked with on various film sets.

Radioman is a character actor, day player and movie extra that has more than 100 films under his belt, has worked for some of the most powerful directors in Hollywood including Steven Spielberg, Ben Stiller, Martin Scorsese and exchanged lines of dialog with some of the film industry’s most expensive and sought after actors, including Matt Damon, Robin Williams, Adam Sandler, Will Ferrell and the list goes on.

Radioman Doc

Radioman Doc

Radio began his career as a heckler, sitting on the sidelines of publicly accessible NYC film sets. Beloved by the crews, the filmmakers began putting him in their movies and he has since become a staple of the NYC film industry. Some directors won’t wrap their productions until he agrees to make an appearance.

The documentary has picked up awards and honorable mentions at festivals in Europe and the Middle East and will be released in theaters in March 2013. You can find the film on Facebook (under the category public figure) and more media on the screening is available on the NewFilmmakers New York Facebook page.

You can view photos from the event at: http://www.flickr.com/photos/newfilmmakersny/sets/72157632420936819/

Likewise, here’ is a highlights video from the Radioman Q&A on the NewFilmmakers YouTube Channel:

Direct Link URL: http://youtu.be/xbFM4uXqk0k

NewFilmmakers WinterFest Schedule

Radioman Doc

Radioman Doc

The WinterFest and weekly Winter Series for NewFilmmakers New York begins Wednesday January 2nd, 2013 and the lineup is legendary. One of the film’s Film Anthropology is most excited about is Mary Kerr‘s RADIOMAN documentary, which follows the life of famous NYC Film Mascot Craig “Radioman” Castaldo, who went from being homeless to a relatively famous and well connected union film actor.

The Facebook Event List for the winter screenings can be found at: https://www.facebook.com/newfilmmakersny/events, for anyone interested in attending any of the film screenings this winter. As usual, all related info is also available at http://www.NewFilmmakers.com.

WinterFest 2013 | Day 1 Playlist

Courthouse Theater @ Anthology

6:00 PM First Short Film Program

anthony furlong POETICA (2012, 4 minutes)
When we think of poetry – sonnets, haiku’s and nursery rhymes naturally come to mind. However, when taken out of it’s literary context poetry becomes so much more. We can find it everywhere, surrounding us every day. It’s the beauty of a sunrise; the lau
Felix van Cleeff HET VIOLETTE UUR (2011, 17 minutes)
Two young lovers leave the modern city and all possessions behind to enter the wilderness,where they make love for the very last time.In the summer of 2011 24 year old independent Dutch film directorFelix van Cleeff and his minimal cast/crew went to the
Judianny Compres HAPPY NEW YEAR! (2012, 21 minutes)
The New Year comes and goes and the fireworks fade by dawn. But the sadness lasts forever.
Stiven Luka FISH WILL BITE (2012, 24 minutes)
A group of friends get involved in a series of incidents on their way to a gathering. Centered around the woods and set during the course of a single evening, the story veers from one beaten path to another.
7:15 PM Second Short Film Program

Rob Leshin ASH (2012, 17 Minutes, Video)
Two brothers walk into a bar … but only one might make it out alive.
Michael J Kirkland CHOICES (2012, 16 minutes)
An Emergency Room Pediatrician, Dr Ian Chance, struggles to cope with a tragedy he causes by hitting a little girl while driving intoxicated. Ian deals with the tragedy by choosing to forget and then changes his memories. He makes a choice to blame and t
Jakob Sacksofsky-Berck BUT NOT SO MUCH (2012, 22 minutes)
A story of sororal cyclicism
8:30 PM Feature Presentation

Mary Kerr RADIOMAN (2011, 79 minutes)
RADIOMAN is the story of an extraordinary eccentric, a formerly homeless man who over the years has become a New York film set mascot with over 100 small parts to his name. It’s the story of a man full of contradictions, of bitterness but also of hope.